Glazba u dramskom kazalištu

master's thesis

• Title: Glazba u dramskom kazalištu : Osnovni pojmovi s primjerima iz studentske glumačke prakse
• Title (english): Music in drama theatre : Basic concepts with examples from student acting practices
• Author: Igor Jurinić
• Mentor: Krešimir Dolenčić (mentor)
• Committee member: Borna Baletić (predsjednik povjerenstva)
• Committee member: Alma Prica (član povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Acting Department); Zagreb
• Defense date and country: 2024-06-21, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts); Acting

Abstract

U prvom dijelu rada Glazba u dramskom kazalištu empirijski se ispituje status glazbe na uzorku
više od sto programa dramskih predstava na repertoaru zagrebačkih kazališta u sezoni
2023./2024. kao uvod u pojašnjenje nekih osnovnih pojmova relevantnih za razumijevanje
„složenog i spornog odnosa“ glazbe i kazališta. Polazeći od empirijskog nalaza, identificirana
su četiri pristupa koja su označena i opisana kao četiri kazališnoglazbena umjetnička lika: (1)
Kazališna glazba kao glazbeni žanr, (2) Kazališna glazba kao usputna glazba, (3) Kazališna
glazba kao majstorstvo tona i (4) Kazališna glazba kao dizajn zvuka. U drugom dijelu rada
izlaže se šest primjera studentskih glazbenokazališnih uradaka uz (samo)kritički osvrt na
njihove konceptualne i praktične dosege. Primjeri su grupirani prema suradnjama s redateljima
odnosno profesorima pod čijim mentorstvom su se ostvarivali: (1) s prof. Krešimirom
Dolenčićem (Kratka povijest Rosa i Guila i Don Juan se vraća iz rata); (2) s prof. Bornom
Baletićem (Mrtvački ples i Superpozicija) te (3) s Miranom Kurspahićem (Trending i Kralj
Ubu). Primjerima su pridodana i dva za temu relevantna iskustva suradnje s RadioTeatrom
(predstave Ubu Ovo Ono i Hoerspiel). U zaključnom dijelu rada izlaže se za razumijevanje
glazbe u dramskom kazalištu koncept muzikalnosti koji najobuhvatnije i najsvestranije ulazi u
bit „složenosti i spornosti“ odnosa glazbe i kazališta kao putokaz za daljnja promišljanja, ali i
praktičan rad na tom polju.

Abstract (english)

The first part of the paper Music in Drama Theatre empirically examines the status of music
on a sample of more than a hundred programmes of drama performances in the repertoire of
Zagreb theatres in the 2023/2024 season as an introduction to the clarification of some basic
terms relevant to understanding the "complex and controversial relationship" between music
and theatre. Starting from the empirical findings, four approaches have been identified that
have been marked and described as four theatrical musical artistic characters: (1) Theatrical
music as a musical genre, (2) Theatrical music as incidental music, (3) Theatrical music as a
mastery of tone, and (4) Theatrical music as sound design. The second part of the paper
presents six examples of student music theatre works with a (self)critical review of their
conceptual and practical achievements. Examples are grouped according to collaborations
with directors or professors under whose mentorship the following were realized: (1) with Prof.
Krešimir Dolenčić (A Brief History of Ros and Guil and Don Juan Returns from the War); (2)
with Prof. Borna Baletić (Dance of the Dead and Superposition) and (3) with Miran Kurspahić
(Trending and King Ubu). The examples are accompanied by two relevant experiences of
cooperation with RadioTheatre (the plays Ubu Ovo Ono and Hoerspiel). In the concluding part
of the paper, the concept of musicality is presented for the understanding of music in dramatic
theater, which most comprehensively enters the essence of the "complexity and
contentiousness" of the relationship between music and theater as a guideline for further
reflections, but also practical work in this field.

• Keywords: dramsko kazalište; kazališna glazba; glazbeni žanr; usputna glazba; majstorstvo tona; dizajn zvuka; muzikalnost; intermedijalnost
• Keywords (english): dramatic theatre; theatre music; musical genre; incidental music; mastery of sound; sound design; musicality; intermediality
• Language: croatian
• URN:NBN: urn:nbn:hr:205:760696
• Study programme: Title: Acting; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra glume (magistar/magistra glume)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-06-14 16:50:02