Gluma u mjuziklu

master's thesis

• Author: Jan Kovačić
• Mentor: Krešimir Dolenčić (mentor)
• Committee member: Dorotea Ruždjak-Podolski (predsjednik povjerenstva)
• Committee member: Stjepan Vuger (član povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Acting Department); Zagreb
• Defense date and country: 2024-09-13, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts); Acting

Abstract

Mjuzikl je glazbeno-scensko djelo koje je u svojoj srži, spoj gotovo svih ostalih umjetnosti. U njemu se glazbena umjetnost izražava kroz kompoziciju, dirigiranje i sviranje, likovna umjetnost kroz kostime i scenografiju, a izvođači u njemu mogu zablistati kroz ples, pjevanje i, naravno, glumu. No, upravo glumci često znaju podcijeniti rad na mjuziklu, misleći da je pjevati u ulozi „čudno za glumca“ i da je, zapravo nedovoljno izazovno za njihov glumački napredak. Kroz ovaj rad namjeravam osvijestiti upravo suprotno – veliku zahtjevnost glume u mjuziklu, počevši od njegovih začetaka u vrijeme stare Grčke pa sve do današnjih vremena slavnih pozornica West Enda i Broadwaya, ali i njegovih početaka i današnjeg uspjeha u Hrvatskoj. Spomenut ću i što je sve potrebno kako bi glumac postao „trostruka prijetnja“ u kazalištu i napokon završiti sa stanjem mjuzikla danas i kako bi mogla izgledati njegova budućnost.

Abstract (english)

A musical is a work of art that combines music with stage performance, but at its core it is a fusion of all forms of art. Music in musicals is expressed through composition, conducting and playing music; fine arts through costumes and scenography while performers can show their talents through dancing, singing and, of course, acting. Actors, however, often downplay their roles in musicals considering singing within a role as being „strange for an actor“, also as insufficiently challenging for their acting advancement. In this work I intend to raise awareness of just the opposite – the demanding acting required in a musical, starting from its beginnings in the ancient Greece until today's well known stages of West End and Broadway, also with a reference to its beginnings and today's success in Croatia. I will also comment on difficulties an actor must overcome in order to become a „triple threat“ in a theatre and I will conclude with the state of musicals today and what their future might look like.

• Keywords: mjuzikl; trostruka prijetnja; pjevanje; ples; gluma; glazba; kazalište; Broadway; West End; vještina.
• Keywords (english): Musical; triple threat; singing; dance; acting; music; theatre; Broadway; West End; skill
• Language: croatian
• URN:NBN: urn:nbn:hr:205:844573
• Study programme: Title: Acting; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra glume (magistar/magistra glume)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-09-03 11:58:06