PRELIJEVANJA * LINIJE BUDUĆNOSTI

master's thesis

• Author: Margareta Sinković
• Mentor: Sibila Petlevski (mentor)
• Mentor: Jasna Žmak (mentor)
• Committee member: Goran Ferčec (član povjerenstva)
• Committee member: Goran Pavlić (član povjerenstva)
• Committee member: Goran Sergej Pristaš (predsjednik povjerenstva)
• Committee member: Sibila Petlevski (član povjerenstva)
• Committee member: Jasna Žmak (član povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Dramaturgy department); Zagreb
• Defense date and country: 2024-09-27, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts); Dramaturgy of Performance

Abstract

Ovaj rad istražuje odnos i povezanost ljudskog tijela s vodenim okolišem te razmatra kako ljudi svojim tijelima okupiraju prirodni okoliš i obratno, na koji način priroda prodire u ljudsko tijelo. Proučavanjem tih međuovisnosti iz više različitih perspektiva, razmatra se kako se iz njih može pristupiti potencijalnoj izvedbi što uključuje specifičan odnos prema stvaranju tjelesnog materijala i načinu kretanja kroz odabran okoliš - područje jezera. Zamišljanje više različitih mogućnosti izvedbi, temelji se na logici kretanja prisutnih u okolišu. Razmatranjem veza vodenih i ljudskih tijela unutar izvedbe, rastvara se ekološka problematika i pitanje kako uz pomoć poetskog jezika, izvedbena umjetnost može pristupiti tematici sveprisutne ekološke katastrofe. Drugi dio rada nastavlja se upravo na to pitanje i usmjerava se prema ideji mogućih budućnosti. Adresira probleme prisutne u današnjem društvu i proučava razvojne procese različitih zajednica iz čega nudi imaginarije različitih budućnosti. Sagledavajući prirodne procese te rituale i metafore koje specifične ljudske zajednice uz njih vežu, pokušava se ponuditi rješenje za ostvarivanje stabilnijih odnosa u društvu što je temeljna preokupacija ovog umjetničkog istraživanja.

Abstract (english)

This paper explores the relationship and connection between the human body and the water environment and considers how humans occupy the natural environment and, conversely, how nature penetrates the human body. Studying these interdependencies from various perspectives, the work examines how they can be approached in potential performance, which includes a specific relationship to the creation of bodily material and movement through the selected environment - the lake area. Imagining different possibilities for performances is based on the logic of movement present in the environment. By examining the connections between bodies of water and human bodies within the performance, ecological issues are unpacked, as well as the question of how performing arts, using poetic language, can address the theme of the ever-present ecological catastrophe. The second part of the paper continues with this question and focuses on the idea of possible futures. It addresses problems in today’s society and examines developmental processes in different communities, offering imaginaries of various futures. By observing natural processes and related rituals and metaphors of specific human communities, the paper seeks to offer solutions for achieving more stable social relationships, which is the core preoccupation of this artistic research.

• Keywords: poveznica tijela vode i ljudskih tijela; izvedba u prirodnom okolišu; imaginariji mogućih budućnosti
• Keywords (english): connection between the bodies of water and the human bodies; performance in the natural environment; imaginaries of possible futures
• Language: croatian
• URN:NBN: urn:nbn:hr:205:623653
• Study programme: Title: Dramaturgy; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra dramaturgije (magistar/magistra dramaturgije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-09-19 21:21:45