Manojlović, N. (2018). Konstrukcija hibridnog žanra i poetizacija kazališne stvarnosti (Master's thesis). Zagreb: University of Zagreb, Academy of dramatic art. Retrieved from https://urn.nsk.hr/urn:nbn:hr:205:510743
Manojlović, Natalija. "Konstrukcija hibridnog žanra i poetizacija kazališne stvarnosti." Master's thesis, University of Zagreb, Academy of dramatic art, 2018. https://urn.nsk.hr/urn:nbn:hr:205:510743
Manojlović, Natalija. "Konstrukcija hibridnog žanra i poetizacija kazališne stvarnosti." Master's thesis, University of Zagreb, Academy of dramatic art, 2018. https://urn.nsk.hr/urn:nbn:hr:205:510743
Manojlović, N. (2018). 'Konstrukcija hibridnog žanra i poetizacija kazališne stvarnosti', Master's thesis, University of Zagreb, Academy of dramatic art, accessed 06 November 2024, https://urn.nsk.hr/urn:nbn:hr:205:510743
Manojlović N. Konstrukcija hibridnog žanra i poetizacija kazališne stvarnosti [Master's thesis]. Zagreb: University of Zagreb, Academy of dramatic art; 2018 [cited 2024 November 06] Available at: https://urn.nsk.hr/urn:nbn:hr:205:510743
N. Manojlović, "Konstrukcija hibridnog žanra i poetizacija kazališne stvarnosti", Master's thesis, University of Zagreb, Academy of dramatic art, Zagreb, 2018. Available at: https://urn.nsk.hr/urn:nbn:hr:205:510743
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University of Zagreb Academy of dramatic art (Theatre and Radio Broadcasting Department) Zagreb
Defense date and country
2018, Croatia
Scientific / art field, discipline and subdiscipline
FIELD OF ART Theater Arts (Performing and Media Arts) Theater Direction
Abstract
Ovaj rad otvara pitanje žanra i roda u umjetničkom djelovanju, fokusirajući se primarno na žanr kazališne izvedbe. Raspravlja o određenju i granicama žanra, mogućnostima i kriterijima za razlikovanje žanrova te, najzad, postavlja pitanje svrhe dodjeljivanja žanrovske oznake nekom umjetničkom djelu. Umjesto odgovora na ta pitanja, nudi se polje miješanja žanrova, prezentirano kroz dva postupka izvedbene poetizacije: postupak hibridizacije i model tangente. Autorica razvija dinamični pristup u razumijevanju žanra izvedbe, razvijajući skicu teorijske osnove uz nekoliko primjera iz suvremene kazališne prakse.
Abstract (english)
This paper opens the question of genre and gender in artistic activities, focusing primarily on the theatre performance genre. It further discusses definitions and boundaries of genres, possibilities and criteria used to differentiate genres, and finally, it brings up the question of the purpose of attributing a genre label to a piece of art. Instead of answering these questions, the author offers a field of genre hybridization, presented in two performative poetisation procedures: the procedure of hybridization and the tangent model. The author develops a dynamic approach to understanding the performative genres by proposing a draft of theoretical basis accompanied with a few examples from contemporary theatre.
Title: Theater Directing and Broadcasting Study programme type: university Study level: graduate Academic / professional title: magistar/magistra kazališne režije i radiofonije (magistar/magistra kazališne režije i radiofonije)