Ritamske sekcije u dramskom teatru

master's thesis

• Title (english): Rhythm sections in drama based theater
• Author: Marina Pejnović
• Mentor: Ozren Prohić (mentor)
• Granter: University of Zagreb; Academy of dramatic art; (Theatre and Radio Broadcasting Department); Zagreb
• Defense date and country: 2018-09-22, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts)

Abstract

U pisanom završnom radu proučavam funkcioniranje čovjekovog mentalnog prostora i njegov prijenos u čovjekov izraz te propitujem kroz dosadašnje ispitne produkcije kako se taj proces odražava na glumu i režiju. Mentalni prostor i izraz vremenski su produkti obrade forme i sadržaja u vremenu. Jedino što je istovjetno u misli i izrazu je ritamski obrazac. On se ostvaruje tako što spaja više vremenskih linija u naizgled jednu informaciju koju dobivamo u izrazu. Ritamski obrazac u sebi ne nosi sadržaj i formu, ali je produkt odnosa toga dvoga. U glumi i režiji taj proces je često obrnut prijenos. Publika gleda ritmički obrađen materijal već grupiran u makro situacije - ritamske sekcije i ritamske sekvence. Međutim na probi obrnutim redoslijedom istražujemo kako mentalni prostor glumca proširiti na način kako bi dao točan ritamski obrazac u izrazu. Ritam je jedino u izvedbi što jest, on nema negaciju, te o njemu možemo imati stav. Ritam ne možemo ne usvojiti, neovisno o tome je li ritam svjesno ili nesvjesno primljen.

Abstract (english)

In my final thesis I research the functioning of the human mental space and its transmission into a man's expression and I study this process through acting and directing of the former exam productions. Mental space and expression are temporal products of form and content processing in time. The only thing that is identical in thought and expression is the rhythmic pattern. It is accomplished by joining several time lines in the seemingly one information we get in the expression. The rhythmic pattern in itself does not carry the content and form but is the product of the relationship between the two. In acting and directing this process is often a reverse transmission. The audience sees rhythmically processed material already grouped into macro situations - rhythmic sections and rhythmic sequences. However, during rehearsals we research in a reversed sequence how the actor's mental space expands in a way that would give the exact rhythmic pattern in an expression. Rhythm is the unique thing in itself in a performance, it is without negation so we can acquire an attitude towards it. We can not be unadapted to the rhythm, regardless of whether the rhythm has been consciously or unconsciously received.

• Keywords: ritamski obrazac; komunikacijski kanal; prostor mentalnog vremena; prostor izraza; vremenski kontinuitet; vremenski diskontinuitet; temporalni pluralizam; superponirano vrijeme; horizontalno vrijeme; vertikalno vrijeme; točka kreacije; filozofija trenutka; filozofija trajanja; ritamska sekcija; ritamska sekvenca; kao da barijera; kolektivna samoća publike; Zaborav; sebesabiranje; glumački ostatak; vremenska blokada; vremenska ekstenzija; Gospođica Julija Augusta Strindberga; Sjećanje vode Shelagh Stephenson; Tri sestre Antona Pavloviča Čehova; Arkulin Marina Držića; Kratki izlet Antuna Šoljana
• Keywords (english): rhythm pattern; communication channel; space of mental time; space of expression; time continuity; time discontinuity; superimposed time; horizontal time; vertical time; point of instant creation; philosophy of instant; philosophy of duration; rhythm section; rhythm sequence; as if barrier; collective loneliness of audience; Oblivion; being self-evident; actors remnant; time block; time extension; Miss Julie by August Strindberg; The Memory of water by Shelagh Stephenson; Three sisters by Anton Pavlovic Chekhov; Arkulin by Marin Držić; Kratki izlet Antun Šoljan
• Language: croatian
• URN:NBN: urn:nbn:hr:205:874164
• Study programme: Title: Theater Directing and Broadcasting; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra kazališne režije i radiofonije (magistar/magistra kazališne režije i radiofonije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access; Embargo expiration date: 2018-09-22
• Created on: 2018-09-19 09:36:30