Utjecaj dokumentarca na razvoj publike (Vice versa)

master's thesis

• Author: Jadran Puharić
• Mentor: Nenad Puhovski (mentor)
• Granter: University of Zagreb; Academy of dramatic art; Zagreb
• Defense date and country: 2018-02-28, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Film Art (Film, Electronic and Media Art of Moving Pictures); Directing

Abstract

U ovom radu, bavio sam se povijesnim razvojem dokumentarnih formi i kasnije dokumentarca kao filmskog roda, te utjecaju publike na razvoj fabule u samom dokumentarcu. Koliko li je dobio ili izgubio s tada novonastalim medijem “TV” i dali je “TV reportaža” uništila ili promijenila autorski pogled na sam film ili samo preuzela funkciju filmskih žurnala, internet video servisi uzimaju još kvadrata iz njegovog bila, oduzimajući mu egzotičnost na kojoj su dokumentarci dugo godina gradili karijeru, te gdje je u svemu ovom danas publika?

Abstract (english)

In this paper, I will be dealing with the historical development of documentary form, and later the documentary genre, with a focus on audience influences on documentary storytelling. How much did it get or lose with the newly created "TV" media and whether the "TV news report” had destroyed or changed the author's view of the media itself or it just took over the function of movie newsreel? The internet video services took more frames out of it, subverting its exoticism.

• Keywords: Passage de Venus; Pierre Jules César Janssen; Lumière; Steve Jobs; Moskva prekrivena snijegom; Scenic; Charles Pathé; British Pathé; Vilmos Fried; Fox News; R.J. Flaherty; Nanook sa sjevera; Geographical Review; Berlin simfonija velegrada; Denis Abramovič Kaufman; Dziga Vertov; Sergej Ejzenštajn; Triumf volje; propaganda; Čovjeka s filmskom kamerom; Philo Farnsworth; David Sarnoff; Direct Cinema; Cinema Verite; Kino Pravda; Nagra; Jean Rouch; Albert Maysles; David Maysles; Salesman; Grey Gardens; festivalski film; Errol Mark Morris; True Crime; Hitchcock; Thin Blue Line; There's Something Wrong with Aunt Diane; The Killing Season; Vsevolod Pudovkin; Que viva Mexico!; The Deserter; Građanin Kane; Orson Welles; Kradljivci bicikla; Vittorio De Sica; Twentieth Century Fox; Eisenhower; Crusade in Europe; harmonija; disharmonija; Peru; globalno selo; YouTube; Netflix
• Keywords (english): Passage de Venus; Pierre Jules César Janssen; Lumière; Steve Jobs; Moscow clad in snow; Scenic; Charles Pathé; British Pathé; Vilmos Fried; Fox News; R.J. Flaherty; Nanook from North; Geographical Review; Berlin; Symphonie einer Großstadt; Denis Kaufman; Dziga Vertov; Sergei Eisenstein; Triumph of the Will; Man with a Movie Camera; Philo Farnsworth; David Sarnoff; Direct Cinema; Nagra; Jean Rouch; Albert Maysles; David Maysles; Salesman; Gimme Shelter; Grey Gardens; Errol Mark Morris; True Crime; Hitchcock; Thin Blue Line; There's Something Wrong with Aunt Diane; The Killing Season; Vsevolod Pudovkin; Que viva Mexico!; The Deserter; Citizen Kane; Orson Welles; Bicycle Thieves; Vittorio De Sica; Twentieth Century Fox; Eisenhower; Crusade in Europe; harmony; disharmony; Peru; YouTube; Netflix
• Language: croatian
• URN:NBN: urn:nbn:hr:205:918235
• Study programme: Title: Film and TV Directing; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra filmske i televizijske režije (magistar/magistra filmske i televizijske režije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2018-09-25 12:16:03