Reprezentacija ženskog tijela u suvremenoplesnom teatru

master's thesis

• Author: Iva Kraljević
• Mentor: Saša Božić (mentor)
• Granter: University of Zagreb; Academy of dramatic art; Zagreb
• Defense date and country: 2019-09-30, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART

Abstract

Ovaj diplomski rad bavit će se razvojem i poviješću pojma ženskosti u suvremenoplesnom teatru. Suvremenoplesni teatar širi pojam ženskosti. Pojam ženskosti širi je od pojma ženskog roda i dovodi u pitanje pojam identiteta što će se dokazati kroz analize ženskih radova koje proširuju pojam ženskosti. Temeljna teza o proširenju pojma ženskosti temeljena je na istraživanjima američke teoretičarke Judith Butler koja tvrdi da rod nije zadan nego je produkt socijalne izvedbe. Kroz primjere plesnih autorica i koreografkinja: Pine Bausch, Anne Terese De Keersmaeker, Louise Lecavalier, Mette Edvardsen i Petre Hršćanec raspravljat će se o različitim izvedbama ženskog roda. Sve te umjetnice na različite načine kritiziraju stereotipe ženskosti.

Abstract (english)

This thesis will focus on the development and history of the term femininity in contemporary dance theater. Contemporary dance theater expands the notion of femininity. The notion of femininity is broader than the concept of femininity and questions the notion of identity, which will be proven through analyzes of female works that extend the notion of femininity. The overall thesis about expanding the notion of femininity is based on research by American theorist Judith Butler, who argues that gender is not given but it is a product of social performance. Through the examples of dance authors and choreographers, such as Pina Bausch, Anne Terese De Keersmaeker, Louise Lecavalier, Mette Edvardsen and Petra Hrašćanec, different performances of the female gender will be discussed. All these artists criticize the stereotypes of femininity in rather different ways.

• Keywords: Suvremeni ples; ženskost; rod; ženski rod; izvedba; postdramsko kazalište; queer studiji; anatomija; koreografija; autorstvo; socijalna norma; Pina Bausch; plesni teatar; Anna Terese De Keersmaeker; Rosas; seksualnost; Louise Lecavalier; androginost; Mette Edvardsen; beztjelesno; bezglasno; Petra Hrašćanec; sportsko tijelo; identitet; predstavljanje; glas
• Keywords (english): Contemporary Dance; Femininity; Gender; Feminine; Performance; Postdramatic Theater; Queer Studies; Anatomy; Choreography; Authorship; Social Norm; Pina Bausch; Dance Theater; Anna Terese De Keersmaeker; Rosas; Sexuality; Louise Lecavalier; Androgyny; Mette Edvardsen; bodyless; voiceless; Petra Hrašćanec; sport body; identity; representation; voice
• Language: croatian
• URN:NBN: urn:nbn:hr:205:020345
• Study programme: Title: Acting; Study programme type: university; Study level: graduate
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2019-09-25 08:54:10