Oblikovanje zvuka : Prošlost, Sadašnjost, Budućnost (u igranom filmu)

master's thesis

• Author: Miroslav Piškulić
• Mentor: Vesna Biljan Pušić (mentor)
• Committee member: Vladimir Gojun (predsjednik povjerenstva)
• Committee member: Ivan Zelić (član povjerenstva)
• Committee member: Vesna Biljan Pušić (član povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Editing Department); Zagreb
• Defense date and country: 2021-05-11, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Film Art (Film, Electronic and Media Art of Moving Pictures); Editing

Abstract

Ovim radom prikazat ću svoja promišljanja o povijesnom razvoju oblikovanja zvuka u filmskoj umjetnosti, od razdoblja „nijemog“ filma do predviđanja budućnosti, uglavnom se fokusirajući na igrani film. Rad je strukturiran kronološki, temeljen je na pročitanoj filmskoj (američkoj i zapadnoeuropskoj) literaturi, odgledanim i analiziranim filmovima za koje se smatra da su iz pojedinih razloga označili prekretnice u oblikovanju zvuka. Sukladno tome, prati razvoj i uporabu tehnologije. Razvoj tehnologije analizirao sam većim djelom kroz njenu uporabnu umjetničku vrijednost, a manje analizom tehničkog aspekta. Svaki dio povijesne etape razvoja filmskog zvuka popraćen je analizom zvuka, po mome istraživanju i mišljenju, važnih filmova, točnije, analiza pristupa zvuku redatelja i/ili oblikovatelja zvuka.

Abstract (english)

This paper will present my reflections on the historical development of sound design in film art, from the period of “silent” films to predicting the future, mainly focusing on feature films. The paper is structured chronologically, based on read film literature (American and Western European), watched and analysed films that are considered to have marked milestones in sound design for various reasons. Accordingly, it monitors the development and use of technology as well. The development of technology was analysed largely through its useful artistic value, and less by analysing its technical aspect. Each part of a historical stage of the development of film sound is accompanied by a sound analysis of, in my research and opinion, important films, more precisely, an analysis of the approach to sound by the director and/or sound designer.

• Keywords: oblikovanje zvuka; montaža zvuka; snimanje zvuka; tehnološke inovacije; povijest razvoja filmskog zvuka
• Keywords (english): sound design; sound editing; sound recording; technological innovations; history of film sound development
• Language: croatian
• URN:NBN: urn:nbn:hr:205:468657
• Study programme: Title: Editing; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra montaže (magistar/magistra montaže)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2021-04-28 13:16:29