Gluma kao operacija ljubavi

master's thesis

• Author: Lucija Alfier
• Mentor: Krešimir Dolenčić (mentor)
• Granter: University of Zagreb; Academy of dramatic art; (Acting Department); Zagreb
• Defense date and country: 2021, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts); Acting

Abstract

Ovaj rad govori o svemu onom s čim sam se susrela od svojih prvih doticaja s glumom. Pišem o stvarima koje su me osvijestile i otvorile mi nove svjetove, kao i onima koje su me blokirale i s kojima sam vodila bitku. Pokušavam si odgovoriti na pitanja: ‘’Što je uistinu glumačka prisutnost?’’, ‘’Odakle potječe strah?’’, ‘’Tko sam ja publici i tko je ona meni?’’, ‘’Jesmo li sposobni za stvaranje katarzičnog kazališta?’’, ‘’Zašto su riječi nužno zlo?’’ i još mnoga druga. Analiziram što je potrebno da bi se izbjegla izvanjska gluma. Dotičući se pojedinih tema i pitanja, utvrđujem snažnu korelaciju između vlastitog odrastanja i formiranja te profesionalnog razvoja kao glumice. Osim vlastitih promišljanja i doživljaja, u ovome radu predstavljam i spoznaje iz knjiga maestralnih Branka Gavelle, Petera Brooka i Cicely Berry, kao i iz knjige ‘’Moć sadašnjeg trenutka’’ Eckharta Tollea koja je ostavila snažan utisak na moj osobni i profesionalni razvoj. Povezujući sve nabrojeno ove stranice postaju najsažetiji presjek esencije onoga što je činilo moje dosadašnje putovanje u svim njegovim segmentima. Nadam se da će ovaj rad pomoći budućim generacijama da malo više vjeruju u sebe i da pronalaze rješenja unutar, a ne izvan sebe.

Abstract (english)

In this thesis I am talking about everything I have experienced since my very beginnings in acting. I am writing about experiences that broadened my consciousness and opened new worlds to me, as well as about things that blocked me and which I had to fight through. I am attempting to answer the following questions: “What does it mean to be present as an actress?”, “Where does the fear come from?”, “What do I represent to the audience and what does it represent to me?”, “Are we truly capable of creating cathartic theatre?”, “Why are words a necessary evil?” as well as many others.I am conducting an analysis with a goal to define what is necessary to avoid superficial, unauthentic acting. Going through different subjects and questions, I am establishing a strong correlation between my personal journey of growing up and my professional life as an actress. Furthermore, I am reffering to knowledge I gathered from books written by ingenius Branko Gavela, Peter Brook and Cicely Berry, as well as from the book “Power of the Now” written by Eckhart Tolle – a book that made a strong impact on my personal and professional development. Connecting all of these aspects and thoughts, these pages represent the most condensed form of what I consider to be the essence of my journey, both as a human being and as an actress. I hope this thesis can encourage generations to come to develop selftrust and inspire them to find solutions inside of themselves rather than outside.

• Keywords: Prisutnost; slušanje; misao; podtekst; unutrašnji doživljaj; strah; ljubav; disanje; oko; želja; riječ; tekst; samosvijest; prihvaćanje; publika; trenutak; sloboda; kazalište; proces; kolektiv; kreacija; oslobođenje; lice; imenica; glagol; sadašnjost; prostor; operacija; grč; kostim; izvanjsko; život; nesigurnost
• Keywords (english): presence; listening; thought; subtext; inner experience; fear; love; breathing; eye; desire; word; text; self-awareness; acceptance; audience; moment; freedom; theater; process; group; creation; release; person; noun; verb; present; space; operation; spasm; costume; eternally; life; uncertainty
• Language: croatian
• URN:NBN: urn:nbn:hr:205:472560
• Study programme: Title: Acting; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra glume (magistar/magistra glume)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-09-27 16:03:29