Glumac na razmeđu društvenih uloga u svakodnevici i glumačke uloge na sceni

master's thesis

• Title (english): An actor at the intersection of social roles in everyday life and acting roles on stage
• Author: Eugen Stjepan Višić
• Mentor: Krešimir Dolenčić (mentor)
• Committee member: Krešimir Dolenčić (predsjednik povjerenstva)
• Committee member: Joško Ševo (član povjerenstva)
• Committee member: Borna Baletić (član povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Acting Department); Zagreb
• Defense date and country: 2021-09-29, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts)

Abstract

Ovaj rad bavi se glumcem i njegovim glumačkim metodama, alatima i tehnikama iz specifične teorijsko-znanstvene i iskustvene perspektive, promatrajući odnos društvenih uloga i glumačkih uloga, uz temeljni oslonac na teoriju društvenih uloga Ervinga Goffmana. U radu se razmatraju sličnosti i razlike između izvođenja uloga u svakodnevnim situacijama (samopredstavljanju pojedinca) te između ostvaraja glumčeve uloge na pozornici. U skladu s time, razlažem i preispitujem odnos kazališta i stvarnosti, kao i iluzije koja objedinjuje, ali i, paradoksalno, postavlja granicu između svijeta i kazališta. Uz Goffmanovu terminologiju, koristit ću se i teorijom Branka Gavelle s fokusom na normativnu i tehničku glumačku ličnost, kao i Cicely Berry te njezina shvaćanja riječi, ali i pojam glumačke svijesti. U radu me stoga zanima što je specifično u glumi u odnosu na uloge koje igramo u stvarnosti, a kako bih primijenio teorijske postavke u praksi, u radu se osvrćem na svoj Ispit iz govora, na temelju kojeg analiziram i oprimjerujem navedene teorijske postavke.

Abstract (english)

This paper deals with the actor and his acting methods, tools and techniques from a specific theoretical-scientific and experiential perspective, observing the relation between social roles and acting roles, with a fundamental reliance on the theory of social roles by Erving Goffman. Also, it deals with the similarities and differences between performing roles in everyday situations (self-representing of the individual) and between the performance of the actor's role on stage. Accordingly, I disassemble and question the relations between theatre and reality, as well as the illusion that unites but also, paradoxically, sets the boundary between the world and the theatre. In addition to Goffman's terminology, I will also use Branko Gavella's methodical frame and theory with a focus on normative and technical acting personality, as well as Cicely Berry and her understanding of words. Moreover, notions of acting consciousness will be discussed. Therefore, I am interested in what is specific in acting in relation to the roles we play, and to apply theoretical settings in practice, I look back at my Speech Exam in my work, on the basis of which I analyze and measure the above theoretical settings.

• Keywords: gluma; glumac; društvena uloga; društveni sporazum; društvena norma; svakodnevica; samopredstavljanje; predstavljanje; kazališna konvencija; metateatar; iluzija; glumačka svijest; izvođač; publika (gledatelji; promatrači); recepcija; Mitspiel; tehnička ličnost; normativna ličnost; riječ; glas; udah; glumčevo privatno; prirodnost; uvjerljivost; lik; uloga; tip; arhetip; kolektivno nesvjesno; svjesno
• Keywords (english): acting; actor; social role; social agreement; social norm; everyday life; self-presentation; representation; theatrical convention; metatheatre; illusion; acting consciousness; performer; audience (spectators; observers); reception; Mitspiel; technical personality; normative personality; word; voice; breath; the actor's private; naturalness; persuasiveness; character; role; type; archetype; collective unconscious; conscious
• Language: croatian
• URN:NBN: urn:nbn:hr:205:827950
• Study programme: Title: Acting; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra glume (magistar/magistra glume)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-09-28 11:03:51