Kamera i svjetlo u filmovima Gaspara Noéa

master's thesis

• Title (english): Camera and light in Gaspar Noé's cinema
• Author: Luka Čižmak
• Mentor: Mario Sablić (mentor)
• Granter: University of Zagreb; Academy of dramatic art; (Cinematography Department); Zagreb
• Defense date and country: 2022-02-28, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Film Art (Film, Electronic and Media Art of Moving Pictures); Film Photography

Abstract

Diplomski rad “Kamera i svjetlo u filmovima Gaspara Noéa” opisuje redateljevu specifičnu estetiku kroz njegova tri najuspjelija filma - Nepovratno, Ulaz u prazninu i Klimaks. Ta je estetika postignuta neuobičajenim korištenjem pokretne kamere kojom upravlja sam Noé, te ekspresivnim filmskim svjetlom za koje je zaslužan direktor fotografije Benoît Debie. U radu se također nastoje detektirati i kratko predstaviti filmski uzori koji su utjecali na ovu estetiku.

Abstract (english)

The thesis “Camera and light in Gaspar Noé's cinema” describes the directors specific aesthetic through three of his most successful movies - Irreversible, Enter the Void and Climax. This aesthetic is achieved with unusual camera movement operated by Noé himself, and also with expressive film lighting designed by the director of photography Benoît Debie. The thesis also detects and shortly introduces movies which influenced this aesthetic.

• Keywords: igrani film; redatelj; snimatelj; estetika; kamera; filmska rasvjeta; boja; psihodelija
• Keywords (english): feature film; director; cameraman; aesthetic; camera; film lighting; color; psychedelia
• Language: croatian
• URN:NBN: urn:nbn:hr:205:664222
• Study programme: Title: Filming; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra snimanja (magistar/magistra snimanja)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2022-02-21 09:23:52