Marković, J. (2022). Anamorfotski objektivi (Master's thesis). Zagreb: University of Zagreb, Academy of dramatic art. Retrieved from https://urn.nsk.hr/urn:nbn:hr:205:478059
Marković, Jurica. "Anamorfotski objektivi." Master's thesis, University of Zagreb, Academy of dramatic art, 2022. https://urn.nsk.hr/urn:nbn:hr:205:478059
Marković, Jurica. "Anamorfotski objektivi." Master's thesis, University of Zagreb, Academy of dramatic art, 2022. https://urn.nsk.hr/urn:nbn:hr:205:478059
Marković, J. (2022). 'Anamorfotski objektivi', Master's thesis, University of Zagreb, Academy of dramatic art, accessed 18 January 2025, https://urn.nsk.hr/urn:nbn:hr:205:478059
Marković J. Anamorfotski objektivi [Master's thesis]. Zagreb: University of Zagreb, Academy of dramatic art; 2022 [cited 2025 January 18] Available at: https://urn.nsk.hr/urn:nbn:hr:205:478059
J. Marković, "Anamorfotski objektivi", Master's thesis, University of Zagreb, Academy of dramatic art, Zagreb, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:205:478059
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University of Zagreb Academy of dramatic art (Cinematography Department) Zagreb
Defense date and country
2022-04-01, Croatia
Scientific / art field, discipline and subdiscipline
FIELD OF ART Film Art (Film, Electronic and Media Art of Moving Pictures) Recording (Film and Electronic)
Abstract
Diplomski rad "Anamorfotski objektivi" bavi se analizom optičkog tehnološkog riješenja izumljenog tijekom prvog svjetskog rata prošlog stoljeća. Takvo je tehnološko riješenje ubrzo bilo usvojeno od strane filmskih produkcija i ostavilo neizbrisiv trag u povijesti filmske umjetnosti i u podsvjesti publike. Danas se anamorfotski objektivi koriste rame uz rame sa modernijim i ponekad preciznijim rješenjima, no često u umjetnosti preciznost ili možda bolje reći predvidljivost nije uvijek poželjna pojava. U radu ću se također baviti i usporedbom anamorfotskih i sfernih objektiva te na koji način izbor utječe na gledateljev doživljaj i na kraju na sam vizualni identitet filma.
Abstract (english)
The thesis "Anamorphic Lenses" deals with the analysis of an optical technological solution invented during the First World War of the last century. Very quickly, this technological solution was adopted by big film productions and left an indelible mark in the history of film art. Today, anamorphic lenses are used side by side with more modern and somewhat more precise solutions, but often in art precision or perhaps better said predictability is not a desirable phenomenon. In this thesis I will also deal with the comparison of anamorphic and spherical lenses and how the choice affects the viewer's experience and ultimately the visual identity of the film.
Title: Filming Study programme type: university Study level: graduate Academic / professional title: magistar/magistra snimanja (magistar/magistra snimanja)