Podvodno snimanje u igranom filmu

master's thesis

• Title: Podvodno snimanje u igranom filmu : Podvodno snimajne u igranom filmu
• Title (english): Underwater cinematography in play movie : Underwater cinematography in play movie
• Author: Roko Birimiša
• Mentor: Mario Sablić (mentor)
• Committee member: Darije Petković (predsjednik povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Cinematography Department); Zagreb
• Defense date and country: 2022-09-23, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Film Art (Film, Electronic and Media Art of Moving Pictures); Recording (Film and Electronic)

Abstract

Diplomski rad se bavi poviješću podvodnog snimanja i napretkom podvodne tehnike za snimanje sve atraktivnijih kadrova sukladno vremenu. Vidjeti ćemo tko i kad je prva podvodna fotografija fotografirana i tko i kad počinje sa snimanjem prvih igranih filmova. Upoznat ćemo se s okom kao organom i njegovom reakcijom na vodu kako bi saznali što se događa s objektivom ispod površine. Kad prođemo cijelu povijest, tehniku i organizaciju vidjet ćemo kako su snimili jedan od najpoznatijih filmova koji je snimljen ispod površine !The Abyss" koji je režirao James Cameron.

Abstract (english)

The diploma thesis deals with the history of underwater filming and the progress of underwater techniques for recording increasingly attractive shots according to the time. We will see who and when the first underwater photo was taken and who and when the first feature films began to be shot. We will learn about the eye as an organ and its reaction to water to find out what happens to the lens under the surface. When we go through the whole history, technique and organization, we will see how they shot one of the most famous films that was shot under the surface !The Abyss" directed by James Cameron.

• Keywords: Podvodno snimanje; Luis Boutan; Wiliam Thompson; John Wiliamson; photosphera; technicolor; Hans Hass; Jacques – Yves Cousteau; Jordan Klew; Pete Romano; HydroFlex; HydroHead; SeaPar1200w; refleksija svjetla; apsorpcija boje; refrakcija svjetla; lom svjetla; raspršivanje svjetlosti u vodi; kromatska aberacija; sabirne leće; rastresne leće; sferične leće; geometrijsko izobličavanje; centralna zraka; tangencijalna distorzija; radijalna distorzija; bačvasta distorzija; jajasta distorzija; meko kučište; splash bag; polimer; flat port; dome port; podvodna glava s daljinskim upravljanjem; tvrdo kučište; optičke aberacije; podvodna rasvjeta; James Cameron; The Abyss; Mickael Salomon.
• Keywords (english): underwater shooting; Luis Boutan; William Thompson; John Williamson; photosphere; technicolor; Hans Hass; Jacques - Yves Cousteau; Jordan Klew; Pete Romano; HydroFlex; HydroHead; SeaPar1200w; reflection of light; absorption of colour; refraction of light; aberration; scattering of light; chromatic aberration; condenser aperture; spherical lens; geometric distortion; central beam; tangential distortion; soft case; splash bag; polimer; flat port; dome port; remote controlled underwater head; hard case; optical aberrations; underwater lighting; James Cameron; The Abyss; Mickael Salomon.
• Language: croatian
• URN:NBN: urn:nbn:hr:205:722597
• Study programme: Title: Filming; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra snimanja (magistar/magistra snimanja)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2022-09-17 14:22:25