EMOCIONALNA SLOJEVITOST GLUMCA

master's thesis

• Title (english): EMOTIONAL LAYERING OF AN ACTOR
• Author: Filip Lugarić
• Mentor: Rene Medvešek (mentor)
• Committee member: Pravdan Devlahović (član povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; Zagreb
• Defense date and country: 2023-06-21, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART

Abstract

Emocije. Tema kojom ću se u većini svog diplomskog rada baviti.
Odabrao sam baš ovu temu iz razloga što sam kroz studij glume
upravo kroz emocije upoznao svoju glumačku osobu i svoju
tehničku spremnost za rad na tekstu i ulozi. Kroz obradu teme
emocionalne slojevitosti glumca pokušat ću detaljnije objasniti
svoj pristup radu na ulozi kroz emocionalna stanja i spajanja s
materijalom. Gluma je vrlo kompleksno područje i zapravo jako
apstraktna umjetnost. No, ukoliko je konkretiziramo i postavimo
u jaki odnos sa čovjekom (glumcem) dobivamo jasniju sliku što
ona zapravo je. Ako se odlučimo na postavljanje odnosa GLUMA
– ČOVJEK, neminovno uključujemo sve čovjekove
karakteristike. Stajališta sam da su upravo emocije najbitnija
karakteristika čovjeka. Svojim diplomskim radom želim budućim
generacijama skrenuti pozornost na važnost upoznavanja svojih
emocionalnih slojeva i općenito sebe kao osobe. Također,
dotaknut ću se i imaginacije kao sastavnog i neizostavnog dijela
u kreiranju uloge te je spojiti s emocijama koje u konačnici
oblikuju lik. Odlučio sam u svom diplomskom radu fokus staviti
na ono što sam sam naučio i trenutno primjenjujem u radu. Dugo
sam razmišljao što bi to zapravo bilo i došao do zaključka da su
upravo emocije i njene slojevitosti i dubine, područje iz kojeg ja
kao glumac mogu puno toga izreći.

Abstract (english)

Emotions. That is the topic that will be covered in the majority of
this master's thesis. I have chosen this topic because it was
through emotion that I have discovered my acting persona and my
technical willingness to work on the text and the role. I will try to
explain my approach to working on a role through emotional
states and connecting with the material in more detail. Acting is
a very complex field and it is truly an abstract art. However, if we
specify it and put it in a strong relation with the human (actor) we
get a clearer picture of what it really is. If we decide on creating
the relation ACTING – HUMAN, we inevitably include all
human characteristics. I believe that it is emotion that is the
human's key characteristic. With this master's thesis, I want to
draw attention to the younger generations on understanding their
emotional layers and themselves as a person. Furthermore, I will
reference imagination as a crucial and inseparable component in
creating a role and connecting it with emotion, which results in a
character. I have decided to put the focus on what I have learned
and what I am currently applying in my work. I have been
thinking about what that would be for a long time, and came to
the conclusion that it is emotion, and its layers and depth, which
I as an actor can say a lot about.

• Keywords: emocije; mašta; motivacija; emocionalna slojevitost; gluma; tijelo; granice; kontrola; perfekcionizam; fiksacija; apstraktno
• Keywords (english): emotions; imagination; motivation; emotional layers; acting; body; boundaries; self-control; perfectionism; fixtation; abstractly
• Language: croatian
• URN:NBN: urn:nbn:hr:205:340589
• Study programme: Title: Acting; Study programme type: university; Study level: graduate
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-06-21 06:49:31