Glumac: Smrt i Uskrsnuće

master's thesis

• Title (english): Actor: Death and Resurrection
• Author: Leon Dubroja
• Mentor: Ozren Grabarić (mentor)
• Committee member: Pravdan Devlahović (predsjednik povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Acting Department); Zagreb
• Defense date and country: 2023-07-11, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts); Acting

Abstract

U ovome diplomskom radu bavim se analizom raznolikih prepreka i poteškoća, što onih unutarnjih, što izvanjskih, koje mladi glumac neminovno susreće na svome putu nastojeći da ostvari svoj san i postane glumcem, u punom smislu te riječi. Analizirajući spomenute prepreke i poteškoće na koje sam kao student glume i mladi glumac nailazio, nastojat ću ponuditi odgovore i potencijalna rješenja budući da je gluma, barem kako je ja doživljavam, neprestana borba sa samim sobom kao i sa čitavim nizom izvanjskih faktora koji obilježavaju glumčevu realnost i svakodnevicu. Kako god bilo, ta borba nipošto nije besmislena; ona bi od strane glumca trebala biti doživljena kao prilika za rast i razvoj, kako u osobnom, tako i u umjetničkom, glumačkom smislu, a svime što pišem glumca na upravo takav pristup nastojim potaknuti. U ovome se radu pozivam na teorijska promišljanja Branka Gavelle, Konstantina Sergejeviča Stanislavskog i Bora Stjepanovića čija promišljanja, uvide i zaključke kombiniram s onima vlastitima kao studenta glume i mladog glumca.

Abstract (english)

In this master thesis I will speak out about different obstacles, whether they come from actor’s inner self or the outside world, whom young actor inevitably comes across along his way of fulfilling his dream and becoming an actor, in the true sense of that word. By analyzing those obstacles and problems, I will try to seek out answers and possible solutions because, from my point of view, being an actor equals an endless battle between an actor and his own self, his personal demons, as well as a battle between an actor and numerous external factors which have a strong impact on actor’s reality and everyday life. However, that battle is never pointless; it should be seen and used by an actor as an opportunity for one’s personal improvement and constant growth as an artist. Therefore, with everything I write here, I try to encourage an actor to use the same approach. In this master thesis I mostly refer to theatrical reflections of Branko Gavella, Konstantin Sergeyevich Stanislavski and Boro Stjepanović whose reflections and conclusions I combine with those of my own as an acting student and young actor.

• Keywords: Glumac; glumište; ADU; sistem eliminacije; glumačka tehnika; inspiracija; individualni pristup; uspjeh; učitelj; mistifikacija glume; glumački trener; analiza teksta; dane okolnosti; intencija unutarnji život; podtekst; tijelo; interpretacija; odnos; disanje; vjera u sebe
• Keywords (english): Actor; acting world; system of elimination; acting technique; inspiration; individual approach; success; teacher; mystifying of acting process; acting coach; text analysis; given circumstances; intention; inner life; subtext; body; interpretation; relationship; breathing; self-belief
• Language: croatian
• URN:NBN: urn:nbn:hr:205:090054
• Study programme: Title: Acting; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra glume (magistar/magistra glume)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2023-07-02 09:33:43