Folklorni vokabular i dispozitiv glazbeno-scenske izvedbe folklora

master's thesis

• Title (english): Folklore vocabulary and the device of musical and stage performance of folklore
• Author: Tim Hrvaćanin
• Mentor: Goran Ferčec (mentor)
• Mentor: Nataša Govedić (mentor)
• Committee member: Jasna Žmak (član povjerenstva)
• Committee member: Una Bauer (član povjerenstva)
• Committee member: Agata Juniku (član povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Dramaturgy department); Zagreb
• Defense date and country: 2023-09-28, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts); Dramaturgy of Performance

Abstract

Folklorni vokabular je set pokreta koji su formalizirani, proizlaze iz rada nogu te su određeni ritmičkim obrascem kroz koji se proizvode. Montaža je dramaturški postupak povezivanja plesnih i glazbenih brojeva u koreografsku cjelinu. Fragmentarnost kao mehanizam slaganja odnosi se na montažu kao dramaturški postupak oblikovanja kontinuiteta folklorne koreografije. Fragmentarnost kao mehanizam raslagivanja dekonstruira mehanizam izvedbe na pojedine elemente i fragmente. Folklorno društvo je sustav za prijenos znanja i informacija. Folklorna praksa obilježena je dvosmjernom razmjenom znanja. Etnomuzikolozi i etnokoreolozi dokumentiraju, prikupljaju i arhiviraju folklornu građu koja zatim postaje izvor za nova umjetnička djela, folklorne koreografije i glazbene obrade tradicijske glazbe. Produkcija novih umjetničkih djela temeljenih na folklornoj građi neizbježno vodi u interpretaciju te građe. Idealni scenski aparatus za glazbeno-scensku izvedbu folklora je “talijanska kutija”. Sekundarne radnje folklorne izvedbe su pomoćni mehanizmi koji podupiru folklornu izvedbu.

Abstract (english)

Folklore vocabulary is a set of formalized movements, resulting from footwork and determined by the rhythmic pattern through which they are produced. Montage is a dramaturgical process of connecting dance and music numbers into a choreographic whole. Fragmentation as a mechanism of arrangement refers to montage as a dramaturgical process of shaping the continuity of folklore choreography. Fragmentation as a mechanism of decomposition deconstructs the performance mechanism into individual elements and fragments. Folklore society is a system for the transmission of knowledge and information. Folklore practice is characterized by a two-way exchange of knowledge. On the one hand, ethnologists, ethnomusicologists and ethnochoreologists document, collect and archive folklore material which then becomes a source for new works of art, from folklore choreographies and musical arrangements of traditional music to literary works and dance performances. The production of new works of art based on folklore material inevitably leads to the interpretation of that material. The ideal stage apparatus for musical and stage performances of folklore is the "Italian box". Secondary actions of folklore performance are auxiliary mechanisms that support folklore performance.

• Keywords: glazbeno-scenska izvedba folklora; folklorni vokabular; izvorni folklor; etnodramaturg; folklorna dramaturgija
• Keywords (english): stage performance of folklore; folklore vocabulary; authentic folklore; ethnodramaturge; folklorna dramaturgija
• Language: croatian
• URN:NBN: urn:nbn:hr:205:577101
• Study programme: Title: Dramaturgy; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra dramaturgije (magistar/magistra dramaturgije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-09-27 09:23:50