Gluma kao spektakl stvarnosti

master's thesis

• Title (english): Acting as spectacle of reality
• Author: Lidija Penić-Grgaš
• Mentor: Saša Božić (mentor)
• Committee member: Ksenija Zec (član povjerenstva)
• Committee member: Blaženka Kovač Carić (član povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Acting Department); Zagreb
• Defense date and country: 2023-09-29, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts); Acting

Abstract

Polazeći od teze Juliana Becka, američkog avangardnog redatelja, da se u iskustvu
svakodnevice može pronaći bilo koja vrsta teatarskog spektakla, u svom radu bavim se onim
umjetničkim praksama sa kojima sam se upoznala tijekom školovanja na zagrebačkoj
Akademiji Dramske Umjetnosti te proučavajući različite strane i hrvatske kazališne i plesne
umjetnike koji u emocionalnoj, perceptivnoj, fenomenološkoj spoznaji svakodnevice te
prolaženja vremena u istoj mogu pronaći spektakl dostojan kazališne zajednice. Ta tvrdnja u
suprotnosti je sa procedurama reprezentacijskog teatra koji svojom artificijelnošću želi zadiviti
gledatelja. Referirat ću se na svoje iskustvo u nastavi scenskog pokreta, te na radove umjetnika
kao što su Oliver Fljić, Barbara Matijević i stranih umjetnika poput Pine Bausch, Roberta
Wilsona, Simone Aughterlony, Juliana Becka i Yvonne Reiner.

Inspirirana radom Juliana Becka: Život teatra, točnije njegovom esejističko-poetskom-
meditativnom i pjesničkom formom, odlučila sam se da format ovog rada, ostane naizgled
rasut; skup razbijenih misli, svojevrsni herbarij iskustava, arheologija jednog
dugogodišnjeg puta, ali i poetsko promišljanje uloge umjetnosti u današnjem svijetu i
moje pozicije u istoj. Stoga je rad radikalno vizualno podijeljen, analitički dio pisan je
uobičajenim pismom, dok su vlastita promišljanja, poetski dijelovi i fanztazme namjerno
izdvojeni podebljanim ili kosim tekstom.

Abstract (english)

Starting from the thesis of Julian Beck, the American avant-garde director, that any kind of
theatrical spectacle can be found in everyday experience, in my thesis written work I deal with
those artistic practices that I got acquainted with during my education at the Academy of
Dramatic Arts in Zagreb while studying different foreign and Croatian theaters and dance artists
who can find a spectacle worthy of a theater community in the emotional, perceptive,
phenomenological knowledge of everyday life and the passage of time in it. This claim is in
contradiction with the procedures of representative theater, which wants to amaze the viewer
with its artificiality. I will refer to my experience in studying the stage movement at the Zagreb
Academy, and to the works of Croatian artists such as Oliver Fljić, Barbara Matijević and
foreign artists such as Pina Bausch, Robert Wilson, Simone Aughterlony, Julian Beck and
Yvonne Reiner.

Inspired by the work of Julian Beck: The life of the theater, more precisely by his essayistic-
poetic-meditative and poetic form, I decided that the format of this work should remain

seemingly scattered; a collection of broken thoughts, a sort of herbarium of experiences,
the archeology of a long-term journey, but also a poetic reflection on the role of art in
today's world and my position in it. Therefore, the work is radically visually divided, the
analytical part is written in the usual font, while the own reflections, poetic parts and
fantastmas are deliberately highlighted with bold or italic text.

• Keywords: spektakl; stvarnost; emocija; reprezentacija; razmjena; gledatelj; efemerno; neopipljivo; No manifesto; glumačka sloboda; vrijeme; gesta
• Keywords (english): spectacle; reality; emotion; representation; exchange; spectator; ephemeral; intangible; No manifesto; actor's freedom; time; gesture
• Language: croatian
• URN:NBN: urn:nbn:hr:205:350962
• Study programme: Title: Acting; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra glume (magistar/magistra glume)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-09-27 12:26:41