Povjerenje u ulogu

master's thesis

• Author: Martina Mandek
• Mentor: Marina Petković Liker (mentor)
• Committee member: Pravdan Devlahović (član povjerenstva)
• Committee member: Ozren Grabarić (član povjerenstva)
• Committee member: Marina Petković Liker (član povjerenstva)
• Granter: University of Zagreb; Academy of dramatic art; (Acting Department); Zagreb
• Defense date and country: 2024-09-26, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Theater Arts (Performing and Media Arts); Acting

Abstract

U ovome radu analizirat ću temu povjerenja u ulogu. Na prvi pogled, tema djeluje jasno, no ubrzo postaje očito da su svi elementi puno kompleksniji. Poput Louisa Jouveta, koji u Rastjelovljenom glumcu detaljno razlaže glumački proces, primjećujem da je povjerenje u ulogu sastavljeno od mnogih, ponekad teško objašnjivih detalja. Jouvet ističe kako intuicija igra ključnu ulogu u tom procesu, a ona glumcu pomaže doseći dublju razinu samospoznaje. Ta spoznaja omogućuje glumcu da bolje razumije i koristi svoj instrument – tijelo i um – na sceni. Intuicija je temelj za razvoj profesionalne svijesti o sebi. Oslanjat ću se na radove Jouveta, Čehova i Stanislavskog te ih povezati s vlastitim iskustvom rada na Krležinom tekstu Pod maskom, kako bih produbila analizu i došla do zaključka.

Abstract (english)

In this paper, I will analyze the theme of trust in a role. At first glance, the topic seems clear, but it quickly becomes evident that the elements are far more complex. Like Louis Jouvet, who meticulously dissects the acting process in The Disincarnated Actor, I observe that trust in a role is composed of many, sometimes difficult-to-explain details. Jouvet emphasizes that intuition plays a crucial role in this process, helping the actor reach a deeper level of self-awareness. This self-awareness allows the actor to better understand and utilize their instrument—the body and mind—on stage. Intuition is the foundation for developing professional self-awareness.I will rely on the works of Jouvet, Chekhov, and Stanislavski, and connect them with my own experience working on Krležaʼs text Under the Mask to deepen the analysis and reach a conclusion.

• Keywords: uloga; povjerenje; intuicija; rastjelovljeni glumac; umjetnost
• Keywords (english): role; trust; intuition; disincarnation; art
• Language: croatian
• URN:NBN: urn:nbn:hr:205:893416
• Study programme: Title: Acting; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra glume (magistar/magistra glume)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-09-24 09:44:04