Pečečnik, R. (2022). Ontološki problemi režije (Master's thesis). Zagreb: University of Zagreb, Academy of dramatic art. Retrieved from https://urn.nsk.hr/urn:nbn:hr:205:298454
Pečečnik, Rok. "Ontološki problemi režije." Master's thesis, University of Zagreb, Academy of dramatic art, 2022. https://urn.nsk.hr/urn:nbn:hr:205:298454
Pečečnik, Rok. "Ontološki problemi režije." Master's thesis, University of Zagreb, Academy of dramatic art, 2022. https://urn.nsk.hr/urn:nbn:hr:205:298454
Pečečnik, R. (2022). 'Ontološki problemi režije', Master's thesis, University of Zagreb, Academy of dramatic art, accessed 09 November 2024, https://urn.nsk.hr/urn:nbn:hr:205:298454
Pečečnik R. Ontološki problemi režije [Master's thesis]. Zagreb: University of Zagreb, Academy of dramatic art; 2022 [cited 2024 November 09] Available at: https://urn.nsk.hr/urn:nbn:hr:205:298454
R. Pečečnik, "Ontološki problemi režije", Master's thesis, University of Zagreb, Academy of dramatic art, Zagreb, 2022. Available at: https://urn.nsk.hr/urn:nbn:hr:205:298454
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University of Zagreb Academy of dramatic art (Theatre and Radio Broadcasting Department) Zagreb
Defense date and country
2022-11-04, Croatia
Scientific / art field, discipline and subdiscipline
FIELD OF ART Theater Arts (Performing and Media Arts)
Abstract
Kazališna umjetnost koliko god se činila samorazumljiva kao pojam i u konceptualnom smislu, krije niz izazova i niz predodžbi. Ovaj rad prikazuje neke od problema vezanih za samu direktnu ontologiju umjetnosti, kazališne umjetnosti i kazališne režije. Koncepti kao što su mimezis, redateljsko kazalište, mit, ritual, glumac, kazališni kozmološki prostor zauzimaju glavninu ovog rada. Ti se koncepti promatraju sa stajališta modernog promišljanja kazališta, zagledanog u napredak kao sloterdajkovski proces samopojačavanja u traženju boljeg i gustog vremena.
Abstract (english)
Theater art, however self-explanatory as a term and in a conceptual sense, hides a number of challenges and a number of ideas. This paper shows some of the problems related to the very direct ontology of art, theater art and theater direction. Concepts such as mimesis, director's theater, myth, ritual, actor, theatrical cosmological space occupy the majority of this work. These concepts are observed from the perspective of the modern thinking and ideas about theater, looking at progress as a Sloterdijk process of self-reinforcement in search of a better and denser time.
Title: Theater Directing and Broadcasting Study programme type: university Study level: graduate Academic / professional title: magistar/magistra kazališne režije i radiofonije (magistar/magistra kazališne režije i radiofonije)